No Values Festival 2024
I had the pleasure of attending this years ‘No Values’ Festival in Pomona, California. This inaugural festival had some setbacks that are responsible due to a lack of experience that will, more than likely, be remedied in the coming festival next year. The main issue that was experienced by those that attended, as reported on multiple public forums, was the issue with parking. I did not encounter this issue myself personally since I had committed myself to driving to the festival grounds at 5 am and waiting until 9, when the gates opened. Parking had no real direction or signs to denote where to actually park, which led to frustration and confusion with attendees. Some attendees waiting hours to get in when they showed up at around 11 am, leading to entry being hours later. So a tip for all festivals you plan to attend is that you should expect to have to get there at least 2-3 hours before opening, especially if you have merch you want to get or simply to get in at an appropriate time.
Overall, I had experienced no setbacks when it came to parking and leaving the festivals. Additionally, since I am a transgender woman, there is always a fear of discrimination and having issues with restrooms. I am happy to report that the staff were super friendly and that overall the vibe was super laidback (when you aren’t in the pit). If there were any other LGTBQ+ future attendees, I would have to say that this festival is super safe and accepting.
Amenities:
The No Values Festival was well-equipped to cater to the needs of its diverse audience. A variety of food vendors offered an array of culinary options, from classic festival fare to vegan and vegetarian choices, ensuring that all dietary preferences were accommodated. Beverage stations were strategically placed throughout the venue, providing easy access to refreshments and helping attendees stay hydrated amidst the high-energy performances. Merchandise booths featured a wide selection of band apparel and memorabilia, allowing fans to take home a piece of the experience. The festival also provided ample restroom facilities and shaded areas, offering comfort and convenience to attendees. Security and medical staff were visibly present, ensuring a safe environment for all. The organizers' attention to detail in providing these amenities contributed to a positive and enjoyable festival experience, allowing attendees to focus on the music and camaraderie that defined the event.
Overall, the No Values Festival delivered a comprehensive and immersive punk rock experience, blending legendary performances with thoughtful amenities to create a memorable event for all who attended.
The Adolescents
The first artists to take the stage were The Adolescents and took to the stage with a raw intensity that immediately captivated the crowd. Opening with their iconic track "Amoeba," the band set a high-octane tone that resonated with both longtime fans and newcomers. Personally, I was singing my lungs out and moshing with other attendees. The setlist was a nostalgic journey through their influential catalog, featuring tracks like "Kids of the Black Hole" and "No Way." The Adolescents were such a treat to watch as they were one of the few bands I went in not knowing too much about as their discography had alluded me. Despite the passage of time, the band's youthful energy remained palpable, with Tony Reflex's vocals delivering the angst and rebellion that defined the bands early years. The crowd responded enthusiastically, with mosh pits forming and fans shouting lyrics in unison. The Adolescents' performance was a testament to their enduring impact on the punk scene, proving that their music still resonates powerfully today. If you were ever curious about if the Adolescents had aged out, this reviewer say that no, the Adolescents are still very much in their prime.
The Aquabats
Moving on to the next band, the next band I sprinted over to see was The Aquabats. The Aquabats brought a vibrant and theatrical performance to the festival, infusing a sense of fun and whimsy into the day's lineup; a perfect opener for the day and allowed for the crowd to get hyped as the performance went on. Dressed in their signature superhero costumes, they opened with the energetic "The Shark Fighter!," immediately engaging the audience and getting them moving. Their setlist included catchy tunes like "Super Rad!" and and my personal favorite "Pizza Day," which had fans dancing and singing along. Along with this The Aquabats brought out a lot of inflatables that got the crowd moving and excited; unfortunately an inflatable dolphin had been launched into my face leaving a bloody and bruised momento. The band's blend of punk rock, ska, and new wave elements created an upbeat and infectious sound, easy to learn and catchy lyrics make it easy for newcomers to get into the groove and have a great time. Lead vocalist MC Bat Commander interacted playfully with the crowd, adding humorous commentary between songs on the setlist. The performance also featured choreographed moves and playful antics, enhancing the theatrical experience. The Aquabats' family-friendly approach made their set accessible to a broad audience, including younger festival-goers. Their unique blend of music and performance art provided a refreshing contrast to the more hardcore acts, showcasing the diversity within the punk genre. Overall, The Aquabats delivered a memorable and entertaining show that left a lasting impression.
The Adicts
The Adicts delivered a mesmerizing theatrical spectacle that was both visually striking and sonically captivating, leaving a lasting impression on everyone in attendance. Frontman Keith "Monkey" Warren, adorned in his signature joker makeup and a flamboyant, eye-catching patterned suit, commanded the stage with an infectious, charismatic exuberance that drew audiences in. The band’s carefully curated setlist was a career-spanning journey that not only included fan favorites like "Steamroller," "Viva La Revolution," and "Joker in the Pack," but also showcased their undeniable musical evolution. True to their beloved tradition, The Adicts engaged the audience with a series of playful antics, showering the crowd with an abundance of playing cards, colorful streamers, and inflated balloons, all of which contributed to an electrifying atmosphere of joyous chaos. The electrifying performance culminated in a spirited punk rendition of "You'll Never Walk Alone," uniting the audience in a powerful and uplifting sing-along that resonated throughout the venue. The Adicts' unique blend of tight musicianship, vibrant energy, and theatricality made their set a truly standout moment of the festival, captivating fans old and new alike.
T.S.O.L.:
T.S.O.L. (True Sounds of Liberty) delivered a performance that was both commanding and provocatively electrifying. Frontman Jack Grisham took the stage in a striking bright red suit emblazoned with an eye-catching devil motif and the bold words "T.S.O.L. RULES" prominently displayed on the back, exuding an unmistakable air of rebellious confidence. The band launched into a series of their timeless classics like "Superficial Love," "Abolish Government / Silent Majority," and the notorious "Code Blue," with each song igniting fervent reactions from the passionate crowd. Grisham's charismatic stage presence, combined with the band's tight, aggressive sound, kept the audience engaged and fully immersed throughout the exhilarating set. The mosh pits were relentless, and crowd surfers were a constant wave of energy, reflecting the raw vitality and infectious spirit that T.S.O.L. consistently brings to the festival. Their dynamic performance served as a powerful testament to their enduring influence in the punk scene, leaving a lasting impression on every single person who was fortunate enough to witness it.
The Vandals:
The Vandals delivered an electrifying, high-octane performance that perfectly encapsulated their signature irreverent humor and unmistakable punk rock spirit. Opening with the fast-paced anthem "It's a Fact," they immediately set an energetic tone that would persist and thrive throughout their entire set. The band's dynamic lineup, featuring the charismatic Dave Quackenbush on vocals, the incredibly talented Warren Fitzgerald on guitar, the steady Joe Escalante on bass, and the phenomenal Josh Freese on drums, showcased exceptional musicianship and undeniable chemistry on stage. Their carefully curated setlist included fan-favorites like "My Girlfriend's Dead" and "I Have a Date," which had the enthusiastic crowd singing along with delight and abandon. The Vandals' signature satirical lyrics, coupled with upbeat tempos, created a distinctly lively atmosphere that truly resonated with the audience, leaving everyone buzzing long after the final notes had faded away.
Adding to the experience was their signature stage presence, with Warren Fitzgerald's animated guitar antics and Dave Quackenbush's playful banter keeping the crowd engaged. The energy never wavered as they powered through other classics like "Urban Struggle" and "Anarchy Burger (Hold the Government)." The audience responded in kind, forming chaotic yet good-natured mosh pits and crowd surfing throughout the set. As their performance wrapped up with the riotous "Oi to the World," the crowd erupted in cheers, proving once again that The Vandals remain one of punk rock's most entertaining live acts. Their set was a perfect blend of humor, rebellion, and tight musicianship, leaving fans both old and new thoroughly satisfied.
Jello Biafra Signing:
In addition to the musical performances, the festival featured a signing session with Jello Biafra, the iconic frontman of the Dead Kennedys. Fans lined up eagerly to meet the punk legend, who was known for his sharp political commentary and dynamic stage presence. Biafra took the time to engage with each attendee, sharing stories and signing memorabilia. His presence added a sense of history and authenticity to the festival, bridging the gap between punk's past and present. For many, meeting Biafra was a highlight of the event, offering a personal connection to one of punk's most influential figures. The signing session underscored the festival's celebration of punk culture, providing fans with a unique opportunity to interact with a true icon.
The Dead Milkmen:
The Dead Milkmen delivered a captivating set that was both humorously entertaining and high-energy, truly embodying their distinctive brand of satirical punk rock. Opening with the upbeat and irresistible "Punk Rock Girl," the band immediately engaged the audience, pulling them in with their quirky, clever lyrics and vibrant tempos. The setlist showcased an array of fan favorites, including the beloved "Bitchin' Camaro" and "Big Lizard," each performed with a delightful and playful irreverence that had the crowd laughing, dancing, and moshing simultaneously. Vocalist Rodney Anonymous's charismatic delivery, paired with his witty and humorous banter between songs, significantly added to the overall entertainment value of the performance. The band's tight musicianship ensured that the humor was always matched by their impressive musical proficiency, creating an experience that was as fun as it was sonically satisfying. The Dead Milkmen's set served as a lively reminder of punk's unique ability to intertwine social commentary with humor, ultimately leaving a memorable and lasting mark on the festival atmosphere.
The Damned:
The Damned brought their gothic-infused punk to the festival, delivering a set that was both theatrical and musically rich. Opening with "Neat Neat Neat," the band immediately showcased their blend of punk aggression and melodic sophistication. Dave Vanian's baritone vocals added a haunting quality to tracks like "New Rose" and "Smash It Up," while Captain Sensible's guitar work provided both edge and melody. The band's stage presence was compelling, with Vanian's vampiric attire and dramatic gestures enhancing the performance's visual appeal. The audience was entranced, swaying and singing along to the band's timeless tunes. The Damned's set was a masterclass in blending punk's raw energy with artistic flair, leaving a lasting impression on all in attendance.
Suicidal Tendencies:
Suicidal Tendencies delivered a performance that was both ferocious and dynamic, reaffirming their status as crossover thrash pioneers. Frontman Mike Muir's charismatic presence commanded the stage as the band launched into "You Can't Bring Me Down," igniting a wave of crowd surfing and circle pits. The setlist was a relentless barrage of their most potent tracks, including "Institutionalized" and "War Inside My Head." The band's tight musicianship was on full display, with Dean Pleasants' blistering guitar solos and the rhythm section's thunderous grooves driving the energy forward. Muir's interactions with the audience fostered a sense of unity and defiance, hallmarks of the band's ethos. The performance was a visceral experience, leaving the crowd exhilarated and craving more.
Sublime:
Sublime's performance infused the festival with a laid-back, ska-punk vibe that offered a refreshing contrast to the day's more aggressive acts. Kicking off with "Date Rape," the band set a groove that had the crowd dancing and singing along. The setlist featured a mix of their biggest hits, including "Santeria," "What I Got," and "Wrong Way," each delivered with a relaxed yet engaging energy. The band's fusion of punk, reggae, and ska elements created a feel-good atmosphere that resonated with the audience. The crowd's enthusiasm was evident, with fans swaying to the rhythms and belting out lyrics in unison. Sublime's performance was a highlight of the festival, providing a melodic and rhythmic reprieve that still maintained the day's punk spirit.
Adding to the performance was the seamless interplay between the band members, whose chemistry elevated the energy onstage. The bass lines grooved effortlessly, complementing the reggae-infused guitar riffs that defined Sublime's signature sound. The warm Southern California evening only enhanced the atmosphere, making the performance feel like a backyard jam session on a grand scale. As the band transitioned into "Doin' Time," the audience swayed in unison, fully immersed in the relaxed, beachy vibes. Closing with "Pawn Shop," the band left the crowd with a euphoric energy that lingered long after their set ended. Sublime's ability to bring a sense of unity and celebration to the festival was undeniable, proving their music continues to captivate audiences decades after their debut.
Bad Religion:
Bad Religion's performance was a high-energy showcase of their extensive punk rock catalog. Kicking off with "Recipe for Hate," the band immediately ignited the crowd, setting the stage for a dynamic set. Frontman Greg Graffin's articulate vocals delivered the band's thought-provoking lyrics with clarity and conviction. The setlist spanned their decades-long career, featuring tracks like "21st Century (Digital Boy)" and "Sorrow," which elicited enthusiastic responses from the audience. Guitarists Brett Gurewitz and Brian Baker provided driving riffs and harmonies, while bassist Jay Bentley and drummer Jamie Miller maintained a relentless rhythm section. The band's tight performance and polished sound demonstrated their veteran status in the punk scene.
As the set progressed, the energy in the crowd only intensified, with countless fans forming mosh pits and jumping along to the blistering pace of each song. Midway through, the band launched into classics like "No Control" and "American Jesus," further cementing their legacy as one of punk rock’s most enduring acts. Between songs, Graffin took brief moments to engage the audience, offering wry observations and brief reflections on the state of the world, reinforcing Bad Religion’s reputation as both musical and intellectual powerhouses. The synergy between the musicians was palpable, with each member seamlessly complementing the others' performance. Closing with the anthemic "Fuck You," the band left the stage to thunderous applause, proving that their message and music remain as relevant as ever. Bad Religion’s ability to balance raw energy with deeply introspective themes made their performance one of the festival’s most compelling, reaffirming why they continue to inspire generations of punk fans.
Social Distortion:
Social Distortion delivered a compelling set that resonated deeply with the audience. Opening with the fan-favorite "Story of My Life," the band set a nostalgic tone that carried throughout their performance. Mike Ness's gritty vocals and emotive guitar work were front and center, bringing authenticity to each song. The setlist included a mix of classics like "Ball and Chain" and "Bad Luck," as well as a cover of Johnny Cash's "Ring of Fire," which had the crowd singing along in unison. The band's tight musicianship was evident, with Jonny Wickersham's lead guitar riffs complementing Ness's rhythm work seamlessly. The rhythm section, consisting of Brent Harding on bass and David Hidalgo Jr. on drums, provided a solid backbone that kept the energy up. The audience's engagement was palpable, with many fans shouting lyrics and dancing throughout the set. Social Distortion's blend of punk rock and Americana created a unique atmosphere that stood out during the festival. Their performance was a testament to their enduring appeal and ability to connect with fans across generations.
Iggy Pop:
At 77, Iggy Pop defied age with a performance that was both raw and electrifying. Taking the stage shirtless, he launched into Stooges classics like "I Wanna Be Your Dog" and "Search and Destroy," immediately captivating the audience. His set also featured solo hits such as "Lust for Life" and "The Passenger," showcasing the breadth of his musical career. Notably, he performed "Death Trip" and "1970," songs he hadn't played live in years, much to the delight of longtime fans. Iggy's signature stage antics, including his wild dance moves and crowd interactions, kept the energy levels high throughout the set. The backing band provided a solid foundation, allowing Iggy's charismatic presence to shine. The crowd's response was overwhelmingly positive, with many considering his performance a masterclass in punk rock showmanship. Iggy's enduring vitality and passion for music were evident, leaving a lasting impression on all in attendance.
The Original Misfits:
The Original Misfits closed the festival with a powerful 25-song set that thrilled fans. Glenn Danzig's vocals were notably strong, delivering classics like "Death Comes Ripping!" and "London Dungeon" with fervor. The band's lineup, featuring Jerry Only on bass and Dave Lombardo on drums, provided a tight and energetic performance. The stage was adorned with eerie props and atmospheric fog, enhancing the macabre aesthetic that the Misfits are known for. While there were brief pauses between songs as the band decided on their setlist, these moments did little to diminish the crowd's enthusiasm. The audience responded passionately, with mosh pits forming and fans singing along to every lyric. The combination of nostalgic hits and the band's undiminished stage presence made their performance a highlight of the festival. For many attendees, witnessing the Original Misfits live was a dream come true, solidifying their legendary status in punk rock history.
